Overview · Leo Scene

What we leave alone

The work we do not take on

Leo Scene does not take on studio-based shoots, so if your whole production sits inside a controlled set, we are the wrong crew for it.
Because we work with factual material only, scripts for drama, comedy and advertising campaigns sit outside what we can help with.
We turn down single-camera work with no fixed call sheet, since a documentary shoot needs agreed dates and named contacts before we commit.
Anything that asks us to capture footage without the consent of the people on camera is a job we decline, however quick the turnaround looks.

From first message to final card

How a job with Leo Scene usually runs

You send us the brief

Tell us the subject, the rough dates and the places you are thinking about. A few lines is plenty to start the conversation, and you can add detail as it comes together.

We talk it through

We go over the shape of the shoot with you, ask the awkward questions early and say plainly whether the plan fits what we do and the time you have.

We plan the location work

Recces get booked, permissions get chased and a call sheet goes out with names, numbers and timings so everyone knows where they are meant to be.

We film on location

The crew arrives, sets up and shoots the material, keeping you updated through the day if anything shifts with the weather or the contributors.

Asking us

What happens when you get in touch

A first message costs you nothing and ties you to nothing at all.

Tell Leo Scene about the shoot you have in mind

Send the dates, the places and the story, and let us say honestly whether we are the right crew for it.

Talk to us

You will hear back in a day or two, and asking costs nothing.